As Andrew Garfield, the American pacifist of the Second World War, Desmond Doss, he was a career best (and very correct Academy Awards) who suffered severe pain and abuse for his beliefs Nominate) performance. He is concentrating on his country and platoon, but he completely refuses to use and carry firearms and weapons throughout the process. He hopes to save people, not rob it, but this philosophy is considered a coward and selfish. Together with the comrades of Fort Jackson of South Carolina State, he was sent to the 77th Infantry Unit and headed for the battle against Okinawa. The US military is trying to defeat "Hassaw Ridge" which is "the code name of the outpost collapse" by excluding the rebellious armed forces stationed on the cliff. Dos was the first conscientious heretical who was awarded the honor's medal for the courage and service beyond the duties that saved the life of 75 injured infantry by himself.
When watching a war drama it is very easy to forget what actually happened to these events actually. I know that thousands of fathers, husbands, and sons all over the world have given their lives for freedom and freedom in their respective countries. Hacksaw Ridge never makes you forget the reality and gravity of real fear. For texts with evidently religious and nationalistic backing, the water-tight script of Andel Knight and Robert Schenkan never touches a sermon by now. Instead, find a humanitarian and merciful figure in the landscape that you feel the sense of hope and love has been completely removed. War is unprotected, unforgivable, ruthless and feels like an outstandingly directed action set. Gibson's aggressive lens directs beautiful things to the majestic imagination of Dos. He unravels the mystery of thousands of decayed corpses and filths and continues to spiritually protect another soul. "Lord, please help me once again," he is tired of breathing.
Gibson's violence is violent. In fact, Hassaw Ridge was able to provide the most shocking depiction of mass battlefield massacre in Hollywood studio movies. The face is totally packed, the body part is violently exposed with grenades and bayonets, and the man shouts with suffering suffering with a flamethrower. The seemingly infinite battle is immeasurably miserable and horribly frightening. The specific sequence in which the army uses heavy smoke as a cover is to raise only Hayes to clarify the position of the Japanese and it is the same as the underground encounter where Doss accidentally falls into enemy bunker It is a shredder. Immediate death lurking behind all shadow corners. However, despite the movies being horrified extremely, it is totally meaningless. The meaning of battle can not be talked about, and Gibson 's phenomenal savage barbarity shows true beauty and honesty. The creative choice to delete the orchestra's score when the first battle scene explodes is a big blow. The sound of an iron bullet penetrated through an iron helmet is pulverizing the soil under the foot of 100 men.
Prior to reaching the warzone that has reached the point of the second act firmly, our time will be poured into the training of the cell, court and training, as Doss fights to defend his views. The texture of characterization in these scenes increases significantly when it reaches the rifle that was attached when Maeda collapsed. We are building strong and deep relationships with these men and supporting what they change everyday and respond. Seeing that they almost surely die, the interior awakens something, giving the observer justification for the shock when the observer feels that things face downward. Through this process, Doss has made a wonderful wedding with a beautiful nurse, Dorothy Schutte (Teresa Palmer), but it is a very different story for the family foundation built on the regret and mourning of the First World War, Alcohol abuse, domestic abuse and so on. His father, Tom (perfect Hugo weaving), leaves a scar on the emotional and psychological past in the past and sees the bottle to heal the spirit. But this has a great impact on his wife and the two boys. He often receives unstable and hateful behavior. In his hand a disgusting feeling of dos at the idea of hurting another person who is getting stronger in his spirit after many painful years.
Hacksaw Ridge has benefited from the impressive support performance like playing Sergeant and Captain such as Vince Vaughn and Sam Worthington, adding an additional layer to the construction of Doss, lending a laugh, respectively I will. It is very interesting to strengthen ridiculous insults and barking for the Vaughan drill operator's teardown men. But this Garfield is the backbone of the project. His core achievement is sincere because it is complicated. He plays a heartfelt, devoted and devoted role that seeks great consideration for his physical character and dialogue consideration, and offers goods with spades. We will talk through posture and body language, seeing a young man who is not shy and suppressed raises a selfless warrior with an ironman. A truly amazing screen turn.
Crown composer Rupert Gregoson Williams makes a magnificent soundscape for Gibson and sublimes the magnificent orchestra's moment to a slow motion image. Give contextual contrast to war actions and reactions. It is all in this movie that resonates very much. Balance of courage and vitality. Horror and humanity. Works wrapped in cinema, wrapped in cinema, bring relentless, relentless portraits of suffering and sacrifice. This is enhanced by the story of impossible hope, spirit, love. That is the most definite best picture candidate.
On January 26th (Thursday), I will preview Hacksaw Ridge at a movie theater in the UK and start a wide release on Friday 27th January.
